As hard as we all work to create original works of art to make a living..these people think it is just ok to steal it!!! This article will give you good insight on how they do it.
"Imitation is the sincerest form of Plagiarism" - Oscar Levant
Who of us hasn't at one time or another seriously considered a career in forgery? How many times have you thought "My kid can paint better than that"? We all know that those abstract paintings could be knocked off in no time, and the people who buy them couldn't tell a Vermeer from an anal wart [There's the typical arrogance of a forger for you].
But if I can't sell my copies as high-priced forgeries and am instead forced to make endless cut-rate copies in a down Economy then hey, I'll take what I can get for the most part.
A suburb of Shenzhen in China, Dafen is an entire village of reproduction painters. Established by businessman Huang Jiang, it sprang up in the '90s and grew from about 300 to 8,000 artists producing massive quantities of paintings for the Chinese Domestic and Global Art markets. The villagers sidestep questions of copyright by (mostly) copying paintings that are older than 50 years, and by not masquerading them as authentic works.
Of course, the term 'sweatshop' is heavily loaded. Images of foreign slave labor, children toiling on industrial looms and the Triangle Shirtwaist fire spring instantly to mind. Does it apply in the case of the Dafen painting studios? Painters do "work long hours for very low pay", but the focus of the World Media regarding Dafen has been the public's insatiable appetite for cheap knock-offs, not the working conditions of the painters themselves.
According to Der Spiegel, 29 year old Dafen artist Wu Han Wu "receives the equivalent of €0.30 per copied painting. That means he earns between €100 ($128) and €300 ($385) a month -- barely enough to cover his living expenses and send a little money home. But he doesn't complain: "It's much better in a workshop like this one, without a schedule."
Indeed, the article goes on to say that "the life Wu and his roommates live is not so different from that of the artists whose works they're copying, at least as far as their average day is concerned: They start painting around lunchtime and work until late at night."
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